Haggis Hunting: 50 Years of New Playwrighting – day 1

Tomorrow our reconstruction of the 1540 Interlude will get it’s first airing at Edinburgh University’s Haggis Hunting: 50 Years of New Playwrighting conference taking place at the Traverse theatre:

http://www.traverse.co.uk/whats-on-buy-tickets/haggis-hunting-50-years-of-new-playwriting-in-scotland

Rehearsals started today with a stellar cast of Scottish actors including Tam Dean Burn, Gerry Mulgrew and Alison Peebles.  Our version is composed of a dramatic arrangement of  the historic documents concerning this lost play, excerpts from the 1552/4 play that relate to the description found in William Eure’s letter to Cromwell, as well as new writing which contextualises the various historic figures and events behind the performance.  Eure, for instance, explains that he is “Governor of Berwick, but I was Deputy Warden of the East March until James V replaced me with a Scot.”  I’m particularly pleased that some compelling historical detail uncovered by Greg Walker has made it into the play when Solace explains to the audience:

Interestingly there was a time, when James was a child, when these three men shared a bedroom.  The boy king, James V, and his tutors, his guardians, Lindsay and Dunbar, sleeping together peacefully, and now they’re governing Scotland.

Dunbar is the Archbishop of Glasgow berated by James V following the performance of 1540.  It’s one of those strange moments which reveals just how small the Scottish political centre was.

I will be playing the Scribe in the reading – the documenter of the political process; a role with affiliations to the documenting I’m undertaking during the project.  In fact, at this very moment, the actors are tackling the script for the second time today…

Come along to the reading if you can! Tickets are £6 or £4 and can be obtained by following the link above or calling the box office on 0131 228 1404.

Category: June 2013 productions, Staging, Texts | 2 comments

  • Greg Walker says:

    I think I ‘discovered’ it in someone else’s book. But compelling it certainly is!

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