Rehearsal blog – day 18 (29.5.2013)

Prioress_and_friarJohn_on_political_fringes

We started off by running Act 2.  It was really interesting to see the political space materialised with so many of the cast members inhabiting it.  Particularly striking was the relationship between the Pauper, parliament and audience, with David McKay speaking upstage but frequently taking in the crowd as the poor ‘commoun’, speaking as and for them.  There was an enlightening change marked between John and Pauper assuming they will not be listened to when they first approach the parliament, followed by their surprise when they realise that Divine Correction has their back – it is the movement from their oppression to their enfranchisement in the play.   Also interesting was the ‘rounding’ together of the Spirituality in the Parliament to take advisement on the laws being proposed – their secret conversations seemed in stark contrast to the transparency of the rest of the political space.  There seemed to be so many members of the Spirituality on the stage – Bishop, Abbot and Parson, as well as the  Friar and Prioress just behind them – as opposed to the self-representing Merchant and Temporality.

We also charted the various responses to John and Pauper’s assertions of ‘Were I ane King’ and ‘Were I ane pape’ with the parliament finding these challenging statements.  Most important though was Rex’s reaction- he stands  in some sort of defiance against Pauper but also listens thoughtfully.  During the Parliament we are witnessing Rex’s bettering as a monarch.

The staging of the Parliament continued into the afternoon – this is definitely one of the most complex parts to realise given the complexities of political access and space in the play.  There is also the question of finding the appropriate reactions.  The Parliament, for instance, stand in sequence when John the Commonwealth shows forth his true faith (the Spirituality reluctantly) – their honorific response demonstrates the verity of John’s words.  The reactions of the Parliament help to mark the various episodes of this long scene, while mitigating against the action becoming static.

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